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Huma Yi Beifeng, Yuezhi Nest Nanzhi: Appreciation of the Whole Poem

Time: 2016-08-08
Nineteen Ancient Poems: Xing Xing Xing Xing Xing

Nineteen Ancient Poems

Xing Xing Xing Xing Xing, parting from Jun Sheng.

For more than a thousand miles, each in Tianya;

The road is long and long.

Huma relies on the north wind, and the south branch of the Viet Bird's Nest.

The date has gone far, and the day of lacing has slowed down;

Clouds cover the day, and the wanderer ignores his return.

Sijun is old, and years are too late.

Don't return after giving up, try to add meals.

Appreciation

This is a song of love and chaos in the turbulent years of the Eastern Han Dynasty. Although the author ’s name was lost in the process of dissemination, “Love, Jingzhen, Truth, and Meaning” (Chen Yi's Book of Poetry), it makes people feel sad for no reason, repeatedly lingers, and sincerely suffers for the heroine Touched by the call of love.

The first five characters are stacked with four "line" characters, ending with only one "heavy" character. "Xing Xing" speaks far away, and "Zhong Xing Xing" speaks far and wide, and has a long-term meaning. Turning to the next level refers not only to space, but also to time. As a result, the complex tone, the slow pace, and the tired pace gave a heavy sense of depression and an atmosphere of painful emotion, immediately covering the whole poem. "Parting from Junsheng", this is the memory of the thinking woman "sending Junnanpu, and how hurtful it is", and it is the candid shout of love that can no longer be suppressed. The "jun" in the poem refers to the heroine's husband, the wanderer who has not traveled far away.

A farewell to Jun, the message is blank: "Thousands of miles away." Separated by thousands of miles, the thinking woman uses the place of the king as the end of the world; Youzi leave the home thousands of miles, taking the hometown and the thinking woman as the end of the world, the so-called "each in the sky". "The road is long and long" comes from the previous sentence, and "resistance" is the "day of the end", which means that the road is bumpy and tortuous; "long" is the long road, which means that the road is far away, and Guanshan is handed over. Therefore, "meeting is easy to know"! At that time, frequent wars, social turmoil, and inconvenient transportation made life and death seem like farewells, and of course they met indefinitely.

However, the longer you leave, the harder it is to meet. The poet has developed a rich association in his extreme thoughts: everything has the nature of nostalgia: "Huma relies on the north wind, and the bird's nest south branches." This is still true of birds and beasts, not to mention people. These two sentences use sudden comparisons, and the effect is much stronger than straightforward. On the surface, the gentleman who travels far shows that things are still in love, and the person is thoughtless. At the same time, he also metaphorically reflects the woman's deep love and passionate love for the gentleman who travels far away. Nests have been built on the branches of Nan, you son, you are not coming back! "The date is far away, and the day of the lanyard has slowed down," said the woman. Since I said goodbye, I look like a flying poncho. After that, I am getting thinner and looser, and you are not returning! It is this silent call in the soul that has passed thousands of years and won people's worldly sympathy and deep sigh.

If you pay attention to it, at this point, there have been two "phases" in the poem. The first combination with "Wan Yuli" refers to the distance between the two places; the second time with "Sun has far", refers to the time when the husband and wife leave. Length. Ten thousand miles apart, day after day, did I forget the original vow or bewildered by a woman from another country, just as a floating cloud covered the day, and a clear cloud covered the cloud. "Floating clouds cover the day, the wanderer is reckless," which makes the heroine suddenly fall into deep pain and imitation. The poet "echoes" through the mentality of guessing and suspiciousness caused by thoughts, and the love of the woman is more profound, deeper and more subtle, meaningless.

Guessing, doubting, of course, have no results; extreme lovesickness can only make the description wither. This is "Sijun is old, and the years are too late." "Old" does not refer to age, but refers to a thin body and a sad mood. "Late" means that the pedestrian has not returned, and the years are late, which indicates that the metabolism of spring and autumn is suddenly absent, and the acacia is another year. It is a metaphor for the heroine's youthfulness and sorrow and old age.

Worrying about love is useless. Instead of giving up, it is better to work hard to add meals, take care of your body, and stay young and bright until you meet in the future. The poem concluded: "Don't give up, don't return, try hard to add meals. At this point, the poet ended her singing of acacia with chaos and masturbation.

The simple and fresh folk song style in the poems, the internal rhythm overlaps and repeats the forms, the same acacia is separated or revealed, or dwell, or straight, or tuned, or the thing is deeper and deeper, "Ruo Xiucai said to her friends. The "simple and beautiful language of words" is exactly where this poem has the eternal artistic charm. However, the first part of the story, which is far from the first part, will be difficult for the second part, and the suffering of the Acacia, will be ended with relief. The clutch is amazing, and the beauty of change is now changing. The art style of unrestrained and unequivocal sentences shows the psychological characteristics of Oriental women's love for acacia.
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